Tag Archives: gallery

the hypatia collection.

Good art and beautifully designed chairs. Two of my very favourite things will be brought together in an exhibition by the Madrid-based artist Nikoleta Sekulovic, at Rebecca Hossack gallery in London. 

The Hypatia Collection, named after an Ancient Greek female philosopher famous for being the greatest mathematician and astronomer of her time, consists of ten paintings of female nudes, each seated on a chair from furniture company Viaduct’s collection. Each chair has been personally selected by the sitter. 

The paintings are acrylic and graphite on canvas, in a limited palette of mostly white, greys, black and browns; the soft, muted forms of the figures both contrast with and complement the angular lines of the chairs. I love how the paintings feel both modern and timeless. Nikoleta Sekulovic, Hypatia, 2019, acrylic and graphite on canvas, 180 x 130 cmNikoleta Sekulovic, Nossis of Locri, 2019, acrylic and graphite on canvas, 167 x 150 cmNikoleta Sekulovic, Moero of Byzantium, 2019, acrylic and graphite on canvas, 170 x 125 cmNikoleta Sekulovic, Anyte of Tagea, 2019, acrylic and graphite on canvas, 160 x 165 cmNikoleta Sekulovic, Aesara of Lucania, 2019, acrylic and graphite on canvas, 150 x 160 cmNikoleta Sekulovic, Porcia Catonis, 2019, acrylic and graphite on canvas, 150 x 175 cm

The models, all known to the artist and all fellow mothers, are given classical titles – the names of ancient Greek female poets and philosophers, and a small historical description of her will be inscribed on the back.

‘…. perhaps the most significant concept behind the combination of a muse and designer furniture is the idea of finding the stillness within, even if it is for a fleeting moment.’ Nikoleta Sekulovic.

The chairs include several of my personal favourites –  He Said chair by Mattiazi, Hiroshima dining chair by Maruni, Tri-Angle stool by Karakter, the enigmatic Eugene lounge chair by E15, amongst others.Nikoleta Sekulovic is an artist presently based in Madrid. Born in Rome to a German mother and a Serbian father, she has worked in London, Paris and New York.

The Hypatia Collection, 28 January – 21 February 2020, Rebecca Hossack Art Gallery, Conway Street, London.

Images courtesy Rebecca Hossack Gallery

 

happy weekend.

Fred Ingrams2

Flowering Potatoes, Dairy Drove, Ten Mile Bank, Aug 2014
Acrylic on panel
116 x 123cms

Vanishing Lines is a current exhibition by the Norfolk-based artist (and friend) Fred Ingrams.

Painting en plein air, Fred captures the flat marshland typical of the region in vivid and dramatic colour.

Vanishing Lines, Art Bermondsey 183-185 Bermondsey Street, London SE1 3UW
until Sunday 17th May 2015.

More images from the opening night on owl’s house london Instagram, here

happy weekend.

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Koluma 01, architecture Peter Zumthor, 2007. Photograph, Hélène Binet, ammann // gallery

Tightly cropped and thick with atmosphere, Hélène Binet’s photographs capture the play of light on the structures of some of contemporary architecture’s leading figures, including Zaha Hadid, Daniel Libeskind and Peter Zumthor. Binet is this year’s recipient of the Julius Shulman Institute Excellence in Photography Award.

Hélène Binet: Fragments of Light, February 28 — March 29, 2015. Woodbury University Hollywood Gallery, 6518 Hollywood Boulevard, Los Angeles, CA 90028

happy weekend.

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Fabulous abstract, graphic, black and white forms by Emil Kozak, in a new exhibition within Box in Denmark.

LYNfabrikken, Vestergade 49, 8000 Aarhus C, Denmark, until February 15 2015. More, here.

antwerp house in blue/grey.

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veerle_wenes_en_amberes_202974908_1200x800 veerle_wenes_en_amberes_575021604_1200x800 veerle_wenes-ohlveerle_wenes2-ohlLike Ampersand house (I write about it here and here), this home in Antwerp doubles as a gallery space. The first thing that one notices is the wall colour: an intense, muted grey/green. The second thing is the cobblestone floor and exposed brick. Originally built as a workshop in the 19th century, it translates beautifully into the 21st, with contemporary materials – resin floors and polished concrete elements – adding to the simple fixturing that allow the gallery’s pieces to be shown to best effect.

Much of the furniture is by Muller Van Severen, who describe their pieces as ‘sitting somewhere between art and design’. I love their simple, industrial but elegant aesthetic.

Gallery house in Antwerp via AD. Photographs: Ricardo Labougle

the collector.

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It’s art fair season here in London, and the big daddy of them all, Frieze Art Fair, concluded at the weekend.

The white box format with which galleries usually display their wares was changed perhaps for ever more by the innovative booth of Helly Nahmad gallery. The booth, called ‘The Collector’ was a perfect replica of the Paris apartment of a fictional art collector called Corrado N, dating from 1968. Replete with old issues of Paris Match, overflowing ashtrays, and the artwork of Picasso, Miro and (my personal favourite) Lucio Fontana, the studio portrayed the life of a ‘passionate, intellectual reclusive’, who lived and breathed art.

More, Art News. Photo, Fausta Maria Bolettier Continue reading

more ampersand.

I first wrote about Ampersand House, a home and gallery featuring classic design pieces and objet d’art, here

The House has just reopened in a new premises within central Brussels, in another classical, light filled interior. Again the eclectic mix of 20th century furniture create a fascinating, constantly evolving, living museum. The mix is vintage, contemporary, prototype and commissioned work, and almost everything is available for sale.

Kho Liang Ie Artifort coffee table © Ampersand House 2014ampersand-house-mad_ohl.ampersand-house_ohl.Salon2 Brussels_ohl.Tenreiro © Ampersand House 2014

Ampersand House, 33 rue de Suisse, Brussels 1060, Belgium

Back in London, and we are looking forward to Modern Shows pop up in Fulham this weekend, and hoping to find that illusive armchair and console for the new abode… Modern Shows Fulham pop-up, details here

gallery house in concrete and pink.

A triple-height gallery housing a collection of prized paintings is concealed behind the wooden shingle facade of this house in Stuttgart. Like any well-designed gallery, the design is all about the internal spaces and how they play to the artworks that will embellish their walls. It is an inward looking house, with no long views. Rather, light and interior space are the game-players, allowing the artwork – a collection of old masters paintings – to take centre-stage. 

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Gallery space and living spaces are separated. A massive concrete core, extending ever up through four floors, acts as the spine of the building, housing the stair, kitchen, bathrooms and services. Clerestory windows bring light down into the gallery, while dedicated spotlights recessed into the concrete core on opposing sides light the artworks. Skylights along the ridge of the roof allow daylight into the living zones. 

Walls are painted in a curious dark shade of pink, which works beautifully against the raw concrete. Joinery, doors and bookshelves slotted into recesses add texture and warmth.

Shingle house by (se)arch architekten, via  Photography: Zooey Braun

Another wonderful home and gallery space, here

ampersand house.

More inspiring design from Belgium; this time Ampersand House, a gallery of art and design located in the centre of Brussels. It is also a home, which the owners define as a living gallery, a constantly changing place depending on what is on show. They curate the gallery as an ever evolving environment mixing vintage, contemporary and prototype work to inspire a dialogue with and between collectors and creatives. Almost everything is available for sale.

The style is an eclectic mixture of pieces of different periods, from strict modernism to French opulence, with the only rule being the pieces need to be connected either by texture, material, colour or shape, for a cohesive overall aesthetic. I love the influences the owners cite, from the work of the architect and Brazilian designer Isay Weinfeld, to the mid-twentieth century furniture of Sergio Rodrigues to Australian architect Glenn Murcutt and French designer Pierre Paulin. What a fabulous design sourcebook.

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http://www.ampersandhouse.com

Ampersand House via  Photos: Karel Balas

More wonderful spaces, here

white dahlia.

I first featured Lena Wolff’s work in an earlier post ‘black dahlia’ (see it, here). Lena’s latest work is currently on show at Ampersand Gallery in Portland, Oregon. Called Call & Response, the title of the show alludes to the traditions of craft and folk art, and the pattens and iconography of American quilt making that are so deeply entrenched in Lena’s work. Through a reductive process of paring down and honing in, the resulting collages, prints and drawings reveal a dynamic pattern and rhythm creating contemporary, geometric abstraction.

GoldenDahlia copy

Lena Wolff, Golden Dahlia, 2013, letterpress relief print, 17 3/4 x 17 in. edition of 40

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Lena Wolff, Double Red Lines Stars , 2012, pen on paper, 6 x 12 in.

BLackDahlia

Lena Wolff, Black Dahlia, 2012, letterpress relief print, 12 3/4 x 12 1/2 in. edition of 40
Feature image: White Dahlia, 2013 collage with hand-cut paper 30 x 30 in.

Call & Response, Ampersand Gallery, Portland, Oregon until July 21st.

All images courtesy of the artist.

What do you think of Lena’s work? More in the gallery, here