Category Archives: happenings.

happy weekend.

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Photo: Floating Cinema 2013 design, Duggan Morris Architects

The Floating Cinema, which is touring the waterways around the Olympic Park in east London, was designed by Duggan Morris Architects. A wide-beamed 60-foot canal boat is the venue for the programme, which has been devised by London-based artists Nina Pope and Karen Guthrie. Entitled ‘Extra-Ordinary’, the inspiration behind the events is to ‘allow people to see the magical in the seemingly ordinary’, and will include intimate on-board screenings, large-scale outdoor films for bank-side audiences, canal tours, talks and workshops.

Until September 30. More, here

white dahlia.

I first featured Lena Wolff’s work in an earlier post ‘black dahlia’ (see it, here). Lena’s latest work is currently on show at Ampersand Gallery in Portland, Oregon. Called Call & Response, the title of the show alludes to the traditions of craft and folk art, and the pattens and iconography of American quilt making that are so deeply entrenched in Lena’s work. Through a reductive process of paring down and honing in, the resulting collages, prints and drawings reveal a dynamic pattern and rhythm creating contemporary, geometric abstraction.

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Lena Wolff, Golden Dahlia, 2013, letterpress relief print, 17 3/4 x 17 in. edition of 40

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Lena Wolff, Double Red Lines Stars , 2012, pen on paper, 6 x 12 in.

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Lena Wolff, Black Dahlia, 2012, letterpress relief print, 12 3/4 x 12 1/2 in. edition of 40
Feature image: White Dahlia, 2013 collage with hand-cut paper 30 x 30 in.

Call & Response, Ampersand Gallery, Portland, Oregon until July 21st.

All images courtesy of the artist.

What do you think of Lena’s work? More in the gallery, here

happy weekend.

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James Turrell, Aten Reign, 2013
Daylight and LED light, dimensions variable © James Turrell
Photo: David Heald © Solomon R. Guggenheim Foundation, New York
Site specific, the installation consists of a series of rings suspended from the ceiling of the Guggenheim’s rotunda. Each ring is lit from below by a series of ever-changing LED lights, and from above by the sunlight filtering down from the rotunda’s oculus. The piece cycles between colors, and over the course of the day, varying amounts of sunlight mean that Aten Reign is composed of an almost infinite variety of colors and states. 

James Turrell, Solomon R. Guggenheim Museum, New York, June 21–September 25, 2013

More happenings, here

happy weekend.

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Argentine artist Leandro Erlich has been commissioned by the Barbican to create a new installation in Dalston. Resembling a theatre set, the detailed facade of a Victorian terraced house lies horizontally on the ground with mirrors positioned overhead. The reflections of visitors give the impression they are standing on, suspended from, or scaling the building vertically like so many acrobats. Erlich’s installation will be accompanied by talks, workshops and live performances, exploring themes of architectural history, urbanism and perception. More, here.

Leandro Erlich’s previous, gorgeous Parisian installation, here

saul leiter – paintings.

Saul Leiter has documented the world around him, capturing New York mid-century, with his beautiful colour and black-and-white photographs (see my previous post, here). But throughout his life he painted, too, and both media are on show at Hackelbury Fine Art in London (now until 27 July 2013).

His paintings are vibrant and full of life, with vivacious, playful brush strokes and pools of  intense colour. As with his photographs, the asymmetrical composition is exquisite. In both media, his influences are evident: the paintings of Renoir, Matisse and Bonnard. There is a lovely quotation in Nigel Warburton’s interview (more, here), which gives a clear indication of his regard for Bonnard:

‘Sometimes I wake up in the middle of the night and I reach over to one of my 30 books on Bonnard… if I can’t find the one I want, I go out and buy another copy’.

SL 12310 © Saul Leiter HackelBury Fine Art courtesy Howard Greenberg Gallery

© Saul Leiter HackelBury Fine Art courtesy Howard Greenberg Gallery

SL 12298 © Saul Leiter HackelBury Fine Art courtesy Howard Greenberg Gallery

© Saul Leiter HackelBury Fine Art courtesy Howard Greenberg Gallery

SL 12306 © Saul Leiter HackelBury Fine Art courtesy Howard Greenberg Gallery

© Saul Leiter HackelBury Fine Art courtesy Howard Greenberg Gallery

The documentary ‘In No Great Hurry: 13 Lessons in Life with Saul Leiter’ is being shown at Open City Docs Fest in London on 21st June, and at the ICA on the 27th June. The film is an absolute delight, with Saul Leiter as the reluctant, but utterly beguiling, protagonist.

More in the gallery, here.

All images © Saul Leiter HackelBury Fine Art courtesy Howard Greenberg Gallery

saul leiter – photographs.

‘I believe there is such a thing as a search for beauty’

You might not have heard of Saul Leiter. His photographs are amongst the most striking I have seen – abstracted imagery and exquisite composition. They capture and document urban life in mid-century New York. His photographs and paintings are the subject of a new exhibition at Hackelbury Fine Art in London and I attended the opening last night.

Leiter was an early pioneer of colour photography, yet he was never driven by the lure of success. His intention was always to be a painter. He started shooting colour and black-and-white street photography in New York in the 1940s. He had no formal training in photography, but his early work was included in two important shows at MoMA in the 1950s, and he became a successful fashion photographer in the 1950s and 60s.

Leiter’s personal colour photography remained, however, out of public view. He printed some of his black-and-white street photos, but kept most of his colour slides hidden away in boxes. It was only in the 1990s that he began to look back at his colour work and start to make prints. I saw an utterly captivating film about him recently on BBC4 –  In No Great Hurry, 13 Lessons in Life with Saul Leiter (also being shown at the ICA on the 27th June; details, here). It shows Leiter, who will turn 90 this year, in his studio, existing ‘on the periphery of the art world’, while simultaneously being widely regarded as one of the pioneering visions of colour photography. In No Great Hurry explores this contradiction of fame versus impact, with Leiter as the unwilling subject.

4. Red Umbrella c 1955 � Saul Leiter, courtesy of HackelBury Fine Art Howard Greenberg Gallery81671.Taxi 1957 � Saul Leiter, courtesy of HackelBury Fine Art  Howard Greenberg GalleryCanopy, 1958 © Saul Leiter courtesy of HackelBury Fine Art: Howard Greenberg Gallery

Snow 1960 / Red Umbrella c 1955 / Taxi 1957 / Canopy 1958 © Saul Leiter courtesy of HackelBury Fine Art/ Howard Greenberg Gallery

Throughout his life he continued to paint. The parallels between his photography and his painting are immediately evident. The exhibition at Hackelbury shows both media, and it is wonderful to see the paintings and photographs side-by-side. It is also exciting to see the photographs I know so well in the flesh. Smaller than I imagined, but intentionally so; one peers in, then becomes instantly drawn in to his world.

‘The ochres and reds of a passing taxi, the patterns of out of focus lights in Times Square, such details often find their equivalents in both the colour and form of particular paintings. Equally the delight in multiple layers of paint and texture can be seen in many of his exquisite street shots, which frequently use windows and mirrors to frame, veil, and abstract’. Philosopher and art historian Nigel Warburton interviewed Leiter, and has written this on the exhibition (and quoted, above).

What do you think of Saul’s photographs? Next week – his paintings and more on the current exhibition.

Images courtesy of Hackelbury Fine Art.

More in the gallery, here.

at the fair – the mid century show.

Once you have your Richard Neutra-designed home (see my previous post, here), you will need to furnish it. Here’s my take on last Sunday’s Mid Century show at Lord’s in North London; a wonderful trove of Scandinavian classic furniture, simple, functional lighting, local salvage, industrial pieces, jewellery, art and ephemera. Forty seven businesses were represented, here are just a few of my favourites:

E&T photo by owl's house london

1. These gorgeous ducks also have the most wonderful provenance:

One particular spring day in 1959 in Frederiksberg, Copenhagen, a policeman found the time to stop the traffic in order to let a young duck family pass. It was a meaningful enough event to the passers-by that all the newspapers published a now famous photograph of the ducks. This captured moment ‘encapsulates the Danish attention to nature and detail and the ability to appreciate small everyday miracles’. Inspired by the duck family, Hans Bølling designed this pair of small wooden duck figures.

Duck and Duckling in teak by Hans Bølling 1959 at Elliot and Tate, specialists in finding and rsstoring the vintage Danish Furniture of Hans Wegner, Finn Juhl, Arne Jacobsen, amongst others.

LandCo photo2 by owl's house london l&c photo by owl's house london

2. Lovely and Company are an on-line vintage furniture store based in Brighton, UK.

One gets the same thrill scratching around here as any flea-market – they carry a clever mix of 20th Century design classics alongside soda crates and multi-drawer haberdashery chests. Ferm Living is represented, along with House Doctor and Tas-ka. They carry reams of Eames original fibreglass shells (the new version of the chair is in polypropylene), which can be mounted on new walnut bases.

Saunders Fine Art on owl's house london.

3. Beautiful mid-century art at Saunders Fine Art, specialists in Modern British and European painting (all images, Saunders Fine Art). Clockwise from top left:

Esbjörn (Bo) Lassen, Still Life, Daily News, Watercolour, 1946

Douglas Swan, Composition, Mixed media on paper, 1962

Jürgen Von Konow, Lowering the Nets, Oil on canvas1949

TMW photo by owl's house london

4. Based in Victoria Park, East London, The Modern Warehouse specialise in buying and selling mid century modern furniture and accessories from Scandinavia, U.S.A. and the UK. The collection is made up entirely of original vintage pieces, not reproductions.

The Modernist photo by owl's house london

5. The Modernist based in a wonderful little antique emporium in North London, is one of my favourite haunts: stunning vintage Georg Jensen silver jewellery along with other precious pieces, all from early to mid-century and all fabulous. I wrote about The Modernist in an earlier blog post on the Hampstead Emporium, here.

VU photo by owl's house london

6. Vintage Unit source and refurbish industrial furniture, lighting & accessories, with examples from Britain and the continent from the post war period. Their pieces are beautifully refurbished things of beauty as well as utility. Practical but decorative and collectable in their own right.

Retrouvius photo by owl's house london

7. Retrouvius is a stalwart in the architectural salvage business, full of wonderful reclamation pieces. They have released a book, Reclaiming Style, outlining the Retrouvius ‘re-use’ philosophy,  from sourcing material at demolition sites and filtering this into the warehouse to adapting materials for re-use in homes via their in-house design practice. I loved the stacks of worn, colourful aluminium pendants.

TCA photo by owl's house london

8. Twentieth Century Antiques are Edinburgh based, and specialise in modern design from 1920-1970. I rather liked the idea of the Jacobsen Egg chair, Danish rosewood sideboard and original Picasso exhibition poster on display in my own home…

AG photo by owl's house london

9. A fabulous array of classic lights including the sweet Pinnochio desk lamp from Augustus Greaves, who specialise in architect designed, post war modernist pieces (and have a beautiful web-site, as well).

Which pieces would you like to see in your home?

All images owl’s house london, unless noted otherwise.

More happenings, here.

happy weekend.

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Candida Höfer Galleria degli Antichi Sabbioneta I 2010, Light Jet print, 180 x 221 cm

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Candida Höfer Teatro Scientifico Bibiena Mantova I 2010, Light Jet print, 180 x 225 cm

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Candida Höfer Teatro Olimpico Vicenza II 2010, Light Jet print, 180 x 235 cm

Höfer produces large-format photographs of interiors of palaces, opera houses and theatres, without digital enhancement or alteration, working only with the existing light source. The result is a ‘rare combination of intimacy and scale, in which intricate architectural detail is captured without sacrificing the sense of space and civilised order’. Just sublime.

A Return to Italy, Ben Brown Fine Art, London, until 12th April. More, here

More in the gallery, here

happy weekend.

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This mirrored street facade art turns pedestrians into acrobats.

The ‘Bâtiment (Building) was a mirrored installation by artist Leandro Erlich on display at Le 104 in Paris as part of their In_Perceptions exhibition. The piece is clever in its simplicity: a massive building facade is constructed on the floor near a towering mirror giving anyone reflected the uncanny appearance of being weightless’.

from Sustainable Cities Collective; more, here

black maria.

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King’s Cross in London has been undergoing a metamorphosis over the last 10 years, from red light district to transitory train hub to destination in its own right. One of its latest reincarnations is as a major international contemporary arts destination.

The second installation in the newly created space is Black Maria, a commission by the British artist Richard Wentworth working in collaboration with GRUPPE, a young Swiss architectural practice. For four weeks the timber structure will inhabit the concourse, a top lit atrium space which forms a street connecting the historic Granary Building with the new Central Saint Martins College of Art and Design.

Named after Thomas Edison’s 1893 timber film studio in New Jersey – the world’s first cinema and film production studio – Black Maria is an auditorium where passers-by are invited to find their own uses and purposes. The theatrical structure with its proscenium arch and broad terraced steps is merely a backdrop: the audience will become the players. During the day, Black Maria acts as a public space, into which one can freely walk, work, pause. At night, doors become screens, stairs become seating, and Black Maria turns into a space for discussions and screenings. It is a space where, thrillingly, anything can happen.

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Black Maria is part of Relay, a nine – year arts programme. A list of Black Maria Events can be seen here.

All images via Dezeen

More happenings, here