Since I first wrote about the work of Romain Laprade, he has gone on to photograph campaigns for Isabel Marant, Kinfolk and Aesop amongst others: a dizzying array of exciting brands. His work is stylish and bold, often reminiscent of a movie still, and always distinctive. From the archive – my post from 2017:
Bold, modernist spaces in and around European cities dominate the site of French photographer Romain Laprade. He seeks out the intimate places often forgotten or deemed unimportant – foyers and entry halls – transition spaces that are too often seen as a luxury. It is these spaces that in reality allow a building to breathe, provide a place for occupants to pause, a space to contemplate or to stop and chat before passing through.
Romain started working as a graphic designer, working at French Vogue for 4 years. Now 28, his obsession is photography. The places he has found and photographed – the ones I like the most – are the foyers of modernist buildings from the ‘60s and ‘70s, most often in Paris. These wonderful interiors are rich in colour and texture – black granite cladding inlaid with bronze, or rows of mosaic tiles in bold hues of orange or red; bold concrete forms standing like voluptuous, oversized chess pieces, and floors of verde green marble. All surfaces have been considered – fine, dark bricks laid obliquely adjoin a ceiling of glossy black and red tiles; a vertical screen of rich brown wood opposes perfectly proportioned piers of tiny, matt black mosaic.
Images 1, 2 , 3, Paris 15; image 4 and feature image, Av. Paul Doumer, 1960, Paris.
Image 5, Carrer de Brusi, Barcelona; image 6, Le persicope, 1972, Paris; images 7, 8, Le Meridien, 1964, Paris.
Image 9, Crimée, 1968, Paris; image 10, Créteil; image 11, Beaugrenelle.
See more Romain Laprade imagery, including beautiful fashion photographs for John Galliano and Tomasini Paris, here.
All images, courtesy Romain Laprade.